Drake and Rick Ross - Empire (Prod. by Justice League) by Alex Young

Back in 2011, before October's Very Own reigned supreme and before there was a 6 god, Drake worked on a joint mixtape with Miami, Fla.'s very own Rick Ross.

The two rappers joined around the time Drake's slogan, "Y.O.L.O," was made popular by his hit song, "Motto." So, Drake and Ross deemed it appropriate to name their tape YOLO, short for "You Only Live Once."

Time passed, songs and hit albums were made by both parties, but the YOLO project never saw the light of day for any number of reasons, one being Rick Ross' health. However, today, one of the songs included in the mixtape has surfaced. Titled "Empire" and produced by Justice League, the song will appear on J.U.S.T.I.C.E. For All, Justice League's upcoming 13-song LP featuring Future, Wale, Chris Brown, Lupe Fiasco, Drake, Rick Ross, and more.

Source: HYPETRAK

Sango Presents New EP Mais Mais Mais by Maxwell Young

Following up his sonic portrait of Brazilian funk carioca roots in Da Rocinha 3, Sango is back with a surprise new EP entitled Mais Mais Mais.  The three track project continues to play with the festive sounds discovered during the producer's experiential stay in the Latin America country.  Listeners can hear the fusion of carioca and hip hop in Sango's rendition of Bryson Tiller's "Don't" from TRAPSOUL.

As Sango prepares to go on tour with GoldLink, expect some more Sango sweets.  Stream Mais Mais Mais below.

Strip District Music Fest Daily Bread x Taylor Gang Stage with Knuccleheadz by Alex Young

Good Kelly and Heem of Knuccleheadz via Alex Young

Good Kelly and Heem of Knuccleheadz via Alex Young

The first thing I noticed upon arriving at the Daily Bread x Taylor Gang stage at Pittsburgh, Pa.'s Strip District Music Fest this past weekend was the numerous outdoor space heaters positioned in the crowd and on the stage. Temperatures were at freezing level Saturday, forcing artists, like Chevy Woods, to acknowledge once they stepped on the stage, "It's cold as fuck out here!" However, the music, as well as the artificial heaters, kept people warm as they "milly rocked" and danced to local Pittsburgh hip-hop acts throughout the night.

While Strip Music Fest featured established artists Motor Mane, DJ Afterthought, and headlining Chevy Woods, the festival was a Super Bowl of sorts for up and coming local rappers Tairey, Pk Delay, Joel Kellem, JKJ, Knuccleheadz, and more. The roster showcased the next wave of hip-hop talent primed to make names for themselves outside of The Burgh.

"This is the best show of my life," said Tairey to attendees, which included his old college roommates, fans, and social media influencers who promoted and shared the festival's highlights to their audiences.

For rap group Knuccleheadz, they hope Saturday's Strip Music Fest was a hometown kickoff to eventful 2016. Natives of Pittsburgh's Homewood neighborhood, Good Kelly, Jiggy Cee, and Heem of Knuccleheadz are on the cusp of signing a record deal with Taylor Gang Records.

Inside a McDonald's, conveniently located one parking lot over from the Daily Bread x Taylor Gang stage, the Knuccleheadz and myself got warm and fed our hunger with french fries, chicken McNuggets, and McDouble burgers. Good Kelly sat with me and explained the future of Knuccleheadz. "We're about to be big," he said. When one of his friends, Kali, became upset with the number of chicken nuggets in front of him, Kelly said, "In a year, we're about to be arguing about Corvettes, cuh."

At the show, Knuccleheadz was due on stage at 10:10 p.m., three slots away from Chevy Woods' finale performance. With friends like Chuck Global and Wreckaz Gang affiliates COOP and fly class weirdo Kyle Branson, Knuccleheadz gathered adjacent to the stage stairs, smoked weed, and talked amongst themselves about their upcoming performance.

"We're gonna remind ya'll what hip-hop really is," I heard Heem and Good Kelly say to each other.

The group definitely looked "hip-hop." Kelly and Jiggy wore heavy, blue flannels, and Heem wore black from head to toe. He had on a black trench coat, a black button-up shirt, and a pair of black Levi's denim all completed by a black bowler hat and a pair of black sunglasses. Also, the Knuccleheadz members repped the Crip flag; Jiggy waved the flag in the air, Kelly tied one as a bandana around his head, and Heem hung the blue flag from his left side back pocket, the Crip side.

Knuccleheadz's attire and lyrics promote their gang affiliation. Their "Cripn" credentials are only important because it plays into the style of their music, an ode to '90s hip-hop.

When Motor Mane called the rap group to the stage they began their set by telling the crowd, "Come closer, come closer!" I felt people push me from behind, as the crowd was now reaching out to touch the Knuccleheadz atop the stage.

The music played, and listeners heard Knuccleheadz's East Coast, G-funk, gangsta rap, and boom bap influences, which all symbolize the Golden Age of hip-hop. The rappers' crew hyped the performance with their dancing and celebrations in the background.

Perhaps a foreshadow of Knuccleheadz's forthcoming success was how effortlessly they entertained the Strip Music Fest crowd.

Now, using the festival as a barometer, Knuccleheadz looks to their lifestyle, high energy, and hip-hop flare as an appeal to mass audiences around the country.


A selection of songs by some of the artists who performed at the Strip District Music Fest is available below.

Strip District Music Fest Preview by Alex Young

Illustration by Red Buffalo Illustration

Illustration by Red Buffalo Illustration

In Pittsburgh, Pa., it is not only football season, as the Steelers work their way to a seventh Super Bowl victory in the NFL playoffs this Sunday, but also festival season.

Tomorrow, Jan. 16, 2016, Pittsburgh's Strip District will host the second annual Strip District Music Fest, a one-day music festival showcasing rock, indie, electronic/dance, and hip-hop music from local artists.

The festival's first year, 2015, saw 9,000 attendees flood Strip District coffee shops, galleries, restaurants, clubs, and bars, shattering Josh Bakaitus', Vice President of Drusky Entertainment and creator of the festival, estimation of 1,500 to 2,000 people showing up to view 78 bands in 10 venues.

In year two, presented by Pittsburgh City Paper and Pabst Blue Ribbon, the Strip District Music Fest will feature 170 artists in 21 venues, like Lidia's Pittsburgh, 21st Street Coffee, The BeerHive, Thin Man Sandwich Shop, and Altar Bar.

At Enrico Biscotti Warehouse, folk, metal, and punk rock fans will be pleased to listen to bands such as Tabula Rasa and Creta Bouriza.

Appealing to hip-hop aficionados, the Altar Bar offers an outdoor stage, sponsored by Pittsburgh streetwear clothier Daily Bread and Wiz Khalifa's Taylor Gang label, dedicated to The Burgh's upcoming and established hip-hop talents. 

Artists like DJ Afterthought, producer and Choo Jackson's DJ, and Chevy Woods, a T.G.O.D. affiliate, headline a group of youthful rappers and other DJs. Festival goers will listen to Joel Kellem, aka Chill God, lyricist and crooner Tairey, new T.G.O.D. representatives Knuccleheadz, as well as others. The bill for the Daily Bread/Taylor Gang Beats Stage at Altar Bar is featured below.

The Strip District Music Fest was originally created as a way to draw people out of their homes in the middle of winter. Now, the festival is the event to discover and appreciate Pittsburgh's best and eclectic musical acts set in one of the city's most historic cultural sectors.

Festivities begin at 12 pm snow or shine, and admission is free, although donations can be made to the individual artists participating here.

Altar Bar

1620 Penn Ave

Pittsburgh, PA 15222


DJ AFTERTHOUGHT (4:00-5:00)


JOEL KELLEM (5:00-5:20)


DEVIN MILES (5:25-5:45)


DJ AFTERTHOUGHT (5:45-6:15)


B. MATTIE (6:15-6:45)


DJ BAMBOO (6:45-7:00)


BEEDIE (7:00-7:30)


DJ BAMBOO (7:30-7:40)


TAIREY (7:45-8:10)


DJ SPILLZ (8:10-8:50)


JKJ (8:50-9:20)


PALERMO STONE (9:20-9:50)


DJ SPILLZ (9:50-10:00)


MOTOR MANE (10:00-10:10)

KNUCCLEHEADZ (10:10-10:20)

BEEFER AND KNOCKOUT (10:20-10:30)
                                                                                                                                                 
KH (10:30-10:40)


CHEVY WOODS (10:40-11:00)

 

Thoughts on SoundCloud and its Licensing Deal with Universal Music Group by Alex Young

For those in the market for a streaming service, paid subscription platforms like Spotify, Tidal, Pandora, and Apple Music are most attractive due to their massive 20 to 30 million song libraries, Tidal's High Fidelity sound quality, or other perks like Beats 1 Radio on Apple Music.

However, the streaming market may begin to shift after yesterday The New York Times reported that streaming site SoundCloud inked a deal with Universal Music Group. The agreement is a licensing deal that gives SoundCloud access to Universal's musical catalog and songwriting rights that the record label controls through publishing.

Currently, SoundCloud has reached licensing agreements with two of the three major record labels: Universal and Warner Music Group, which occurred in November of 2014. According to The Nielsen Company and Billboard, the big three labels, adding Sony Music Entertainment and Sony/ATV Music Publishing to the group, controlled 82% of the total albums sold in 2012. Universal made up 37.7% of the US Market share.

Also, Merlin, a group of independent labels, National Music Publishers Association, and PRS for Music, a British copyright collection, and performance rights organization, have all completed deals with SoundCloud.

One of SoundCloud's founders, Alexander Ljung, said to TNYT in an interview, "We've got the majority of the music industry partnered with us now." 

Due to all of the licensing agreements SoundCloud has reached, it can prepare to launch a paid subscription plan for streaming services to its 175 million monthly users worldwide.

If SoundCloud makes the move to a paid subscription streaming service, what separates it from the rest of the market? What makes SoundCloud unique?

Here is the kicker: SoundCloud is special for its new music discovery and its social media interface.

Mainstream and underground musicians, artists, and creatives across the globe are able to upload and showcase their audio work to mass audiences using SoundCloud. From there, the mp3 files can be "liked," shared to other social media platforms like Facebook, reposted to other SoundCloud profiles, and embedded into independent websites. Users can also create playlists compiled of tracks already listed on SoundCloud or uploaded files and share them with followers. This is how artists, like Young Thug, Little Simz, and Drake, debut singles and mixtapes to their fans.

Robert Wiesenthal, Warner Music Group's chief operating officer, said in 2014 after the label agreed to terms with SoundCloud, "SoundCloud is a platform built on music innovation and it has a rare ability to drive music discovery while enhancing the connection and collaboration between an artist and their following."

The beauty is that any individual can share content on SoundCloud, and build a fanbase. Entrepreneur, event promoter, and social media influencer YesJulz post her podcasts, with names like Ronnie Fieg and Joe Budden, on SoundCloud.

While Apple Music claims to link artists to their fans with Connect profile pages, the average Joe cannot make a Connect account of his own. The service is not person-to-person interaction, rather more celebrity observation and behind the scenes visuals.

SoundCloud challenges other streaming services because its social networking capabilities offer promotional value to SoundCloud users. The licensing deals SoundCloud has struck allows the shareable content to be more extensive.