Dom Kennedy Samples Classic Hip Hop Sounds on New Tape by Maxwell Young

Just three short months after Dom Kennedy unveiled his By Dom Kennedy LP, he caps off his summer production with a surprise mixtape, Best After Bobby Two.  The tape comes in at 15 tracks with features from fellow West coast rappers, RJ and Jay 305.  The sequel to Dom's 2009 mixtape continues to sample classic hip hop sounds, and just so you know every song that Kennedy sampled, we have compiled a list for you.  Download and listen to this playful mixtape below.

THE LAST EPISODE = Ain't Nothing but a G Thang- Dr. Dre

STOP FRONTIN' = Frontin'- Pharrell ft. Jay Z

HOLDUP = Big Pimpin'- Jay Z

SUNDAY'S ON CRENSHAW = One More Chance- Notorious B.I.G and Faith Evans

ALL BLACK CHUCKS = 7/11- Beyoncé

GIRL = Girl- The Internet ft. KAYTRANADA

$EX FACES 2015 = Sex Faces- Geto Boys

BROOKLYN = Doin' It- LL Cool J

Cultural Appropriation by Alex Young

Photo by Alex Young 9/5/15

Photo by Alex Young 9/5/15

Radio network Hot 97 has a show hosted by an African American male, a jewish male, and a latina female-- Ebro in the Morning with Ebro, Rosenberg, and Laura. Hip hop is the show's topic of choice, but in today's musical landscape societal questions creep into conversation as response to artists' commentary on our world.

On August 20 singer-rapper Post Malone, a caucasian male, joined the show to talk about his hit song "White Iverson" in which he adopts hip hop's braggadocious and proud style. Find Malone performing in cornrow braids completed with shiny gold grills in his mouth to go with lyrics like, "I wipe my tears with the money, yeah". To Ebro and for those protecting the value in black culture the musician's act appears suspect leading Ebro to say to Post Malone in their interview, "When I see a white dude in throwback jersey and gold teeth I'm the old black dude who's like, 'Yo what is this? Is he making fun?'" and his compadre Rosenberg follows up with, "I had a similar feeling... I feel weird, my gut reaction of the white dude that I see with braids and gold teeth for me brand wise promoting that is an odd choice, I have to see what the person is really about first." The pair's remarks allude to the complexity of cultural appropriation and simplicity of appreciation. Huffington Post journalist, Kadia Blagrove, digs deeper and notes this duality revolving around the black experience is more so “about acknowledging the existence of the people behind the culture.”  Without such recognition and respect, elements of black culture will continue to be whitewashed.  From a myopic lens, Blagrove’s sentiment calls for a greater contextualized appreciation and respect for hip hop culture and its roots.

There is an especially tainted view on the appreciation of black culture because of the institutional power dynamic between white and black people.  What we're seeing in mainstream music is not a mutual exchange where artists are adopting elements of black culture without backlash because we live in a time where racism and injustices still exist.  To truly value something means to understand the entity's origins and developments-- learn how and why it came to be. Once there is an acknowledgement of history one can appreciate the present environment. Furthermore, imitation is a form of flattery, but if there is no credit given to the original work plagiarism occurs.

When Miley Cyrus took the stage to host the 2015 VMAs on August 30 she did so wearing a long dreaded hairpiece and ensued to call Snoop Dogg her "mammy". The popstar will tell you she made the comment in jest, but it unveils ignorance and insensitivity some whites have regarding racial topics.  Then there's Taylor Swift who just put out a music video that’s set in Africa yet features no African or African American people in it.  If people wish it were not black/white issues then this conversation can even draw on the use of Native Americans as sport mascots.  But the issue is deeper than the fact that a football team has a derogatory team name or the very people who are from the setting of Swift’s video were just an afterthought to her, though.  The issue resides with the fact that it seems a lot of celebrities and artists are choosing to highlight the more glamorous and celebrated aspects of other cultures, while neglecting the controversial and political topics such as the inhumane police brutality cases that have engendered the slogan and hashtag “Black Lives Matter”. Actress Zendaya Coleman intelligently says on the entire subject, "You can go about it as cultural appreciation or cultural appropriation. You have to be very careful. Some things are really sacred and important to other cultures, so you have to be aware, politically, about those things before you just adopt them." People need to adopt cultural relativism: acknowledge and understand other people's activities and beliefs are rooted in different heritages and traditions. This principle allows a genuine learning process from person to person that facilitates a holistic appreciation for one another.

On the other hand, the cultural appropriation tag escapes some white entertainers.  Artists like Justin Timberlake, MC Serch, Mac Miller and even Christina Aguliera are not accused of appropriating.  The question is why do some artists get away with appropriating while it is the detriment to others’ careers, a-la Iggy Azalea(?)

  MC Serch

  MC Serch

The answer is perception.

Ninety years ago when the Allen Brothers covered Papa Charlie Jackson’s “Salty Dog Blues”, America was still heavily embedded in racism and racial inequality.  There were no prominent black voices in the media who could cry foul play, save the Black Inquirer, which undoubtedly had other pertinent issues to broadcast than artistic property.  Although there are still a limited number of black voices in the media today, there are more outlets and syndicates than ever before with radio stations like Sway in the Morning and Hot 97; networks such as OWN and BET; as well as the impetus of social media that enables today’s artists and commentators of music to advocate and defend black culture and consequently black music.  These narrators--the Ebro's, Rosenberg's, and Laura Styles'--shape the images and perceptions of the artists that we listen to.  If these artists who are attempting to borrow elements from black culture can be viewed in a positive light by the voices and guardians of the genre then their authenticity will have a greater chance at resonating with black listeners.

Choo Jackson - Broken Hearts Make Money (Album) by Alex Young

Subcultures of cities speak to diversification of ideas and the many people inhabiting the area. No matter the destination music always provides a vibrant, relevant, and meaningful scene transitioning from genre to genre. Pittsburgh, Pennsylvania is no different and while Wiz Khalifa and Mac Miller serve as the town's landmarks, the current culture is examined through contemporaries like Choo Jackson. The Remember Music affiliate operates in The Burgh's collaborative environment crafting a unique sound for himself using other talents the city offers. Yesterday Choo's Broken Hearts Make Money album released boasting a truthful narrative on emotion and his constant grind. Pittsburghers like producer Christo, ID Labs, and even Mac Miller on "HD" strengthen the rapper's sound. Take a listen to BHM$ in full below and catch Choo on September 20 at Stage AE with Mac Miller.

GoldLink added to GO:OD AM's pro team by Alex Young

Last week GoldLink announced he will accompany Mac on his GO:OD AM tour starting in October. No doubt he will add a lively energy to the stage and atmosphere, so if you can make any of the shows don't pass up the experience. Showing out and introducing himself to those who didn't know him prior to the tour release, he and producer Louie Lastic teamed up on single "Movin' On". Lastic, also a DMV native, backed two of the hottest tracks on Link's debut album, and samples 2Pac's "I Get Around" to add a much needed bounce to the end of summer melancholy. Link's delivery is strong and unique, and his post-dub production style should have a home in any back to work and school playlist. 

Along with GoldLink, Mac has Domo Genesis and Tory Lanez accompanying him on his 55 venue warpath. There's serious artillery here. Tory Lanez just murdered the 5 Fingers on Sway last week, and Domo has more than some experience killing it with his involvement in OF and his notable solo Under The Influence mixtape series. So to be very clear, crystal ball clear, visine clear, this is the concert to go to this fall. Diverse flows and just an honor for craftsmanship and detail, they will leave a trail of bodies in their wake. Check below for a playlist featuring ITR's favorite tracks of these artists.


F*ck, That's Delicious Returns: Action Bronson's Hawaiian Getaway by Alex Young

After riding the success of his second studio album, Mr. Wonderful, and completion of the first leg to his world tour Action Bronson is cooking again in "F*ck That's Delicious". A past trip to the Hawaiian Islands inspires the rapper to whip up two variations of Poke against his native New York's skyline. The new episode's visuals flashback to Bronson's time on North Shore, Oahu and Kahuku where he takes in a surf competition, curates a barbecue for RVCA surfers, and treats himself some Kahuku Superette-- home of the best Poke bowl in the region. Take a look at Action Bronson's entertaining trip below and catch him on the road again beginning September 10 in Dublin, Ireland.