Nappy Nappa

Art House Rage Featuring The Khan, Wifigawd, Nappy Nappa, and More by Maxwell Young

Last Saturday, the D.C. hip hop community converged at Uptown Art House for the 21st birthday celebration of The Khan, a free-flowing, curly-haired flexer of the new age rap scene.  Alignment with Virginia Beach native, Lil' Tracy (listen to their collaborative effort, "Vices" on Sounds of D.C. vol. II) and a fast friendship with the late Lil' Peep has increased Khan's exposure over the last year.  He was joined by fellow DMV natives exploring modern trap drums, ad-libs, and vocal modifications including Wifigawd, SickBoyRari, Trip Dixon, and Nappy Nappa.

Part studio, part skatepark, part scene--the Art House turned into a full-blown concert hall with the youth showing up in droves.  While many were in attendance to see Lil' Tracy--a couple fans even traveled from Philadelphia--it was heartening to see the rage-ful embrace of local music.  Every set was complete with shoving and shouting, demonstrating the true following these artists have on SoundCloud.  The moshing was so heavy during Wifigawd's performance that the scuffle unplugged the audio circuitry causing abrupt "oohs" and "aaws" from the crowd.

There's no denying that the current sound dominating hip hop encourages a certain aesthetic.  A$AP Mob and the AWGE clique are an appropriate microcosm of this lifestyle wearing cross-body fanny packs with carefully packed Backwoods, untied Vans and washed, vintage rock-n-roll t-shirts that amplify this grungy streetwear-chic aspect of rap.  Khan himself drenched his Heron Preston long sleeve in sweat.  Those who weren't in the mosh pits emanated this cool demeanor as they stood on top of the half-pipe amongst their crew wearing personalized graphic hoodies or dangling their legs over the bright yellow scaffold throwing up squad affiliations.  And perhaps the Art House completes this hedonistic vibe.  Much like when Mick Jagger, Bob Dylan and Andy's Superstar personalities like Edie Sedgwick and Ultra Violet popped into the Warhol Factory to be photographed or simply experience the commotion surrounding the famed space, the youth of today want to be seen, want to be in-the-know, and want to be free to experiment.

Enjoy the video above.  Don't want to miss the next rage.

Nappy Nappa Joins The Bop Wave by Maxwell Young

Nappy Nappa's music has a spatial vibe to it.  Whether that be the reverb and synths paired with his trademark echo making you feel like you're adrift in the galaxy, or it's his crashing 808s and "T'd up" rage taking you through reentry, his sonics are not of this earth. 

However, yesterday was an exception, a return to orbit.  Drawn in by the millennium generation's gravitational pull, his latest song, "\+YENE FRIKIN+/," joins the bop music wave.  Produced by BASEDCHINK, the two-minute track has hints of those 8-bit video game sounds that have proliferated hip hop music over the last two years.  What's more is that Nappa's voice is auto-tuned, rapping about Rick Owens, Nike checks, and his "OFF WHITE soul."  This is both surprising and welcomed to hear, as this isn't a vibe the Southeast, D.C. rapper normally operates within.  It shows he's listening to his surroundings at the very least--never conforming and equipped to hit the mainstream should it come calling.  Listen to the track above.

Nappy Nappa and Marty Heem Cherry Share "BACK2ATLANTIS" Music Video by Maxwell Young

Thank you Nappy Nappa and Marty Heem Cherry for taking us back to the golden age of music videos.

By now, InTheRough readers should be in-the-know about Nappy Nappa, the bourgeoning rapper from the District of Columbia. If not, read up about his latest endeavors here.  He and fellow LAD Marty Heem Cherry have released visuals to their song "Back2Atlantis," which is a single off Nappa's latest EP "RawDogRawLoveRawGod part 1: Ascenshun"

Reminiscent of Eiffel 65's pre-millennium hit "Blue" or the Backstreet Boys' "Larger Than Life" anthem, the three-minute video features an intergalactic trip through space and time.  On their journey, Nappa and Marty are joined by brother Auto Lola to defend the nation's capital from an extraterrestrial invasion, or so we think.  Perhaps it was all a game as the Emre Yagci directed video ends with a vintage arcade console siloed in a dark street alley between garbage dumps and empty liquor bottles.  Check out the video above and stay tuned for more content from Nappy Nappa. 

Nappy Nappa's "+RAWDOGRAWLOVERAWGOD+ part 1: Ascenshun" Out Now by Maxwell Young

Listen to Nappy Nappa's seven-track EP available on all streaming platforms.

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The Southeast, D.C. rapper cemented a momentous and prolific last four months with the release of his new project “+RawDogRawLoveRawGod+ part 1: Ascenshun” on Tuesday.  The EP was dropped following a recent trip to the United Kingdom, an appearance on Adult Swim’s Blood Feast Livestream in Atlanta, 19 original gems on SoundCloud, and an opening act for up-and-coming New York emcee, Wiki, at Songbyrd Music House just last week.

Featuring cover art that is an abstraction of Notorious B.I.G’s classic Ready to Die album cover, Nappa’s project veers towards the sonically abstract, too. Distorted, computer-sounding bleeps and bloops are common elements throughout the RawGod’s production, including songs like “1w” and “Boost Project,” a track that was first heard on In Studio Live.

In “Ascenshun//Intens Anticipation,” Nappa sings a chorus that sounds cathartic for him, blocking the “wickedry” in the world as he puts it.

“I raise my head from my pillow.  That’s when I live my dreams.”

Napito is focused on his music, although it doesn’t always come off that way.  At his show with Wiki, he was turnt all the way up with fellow LADS Auto Lola and Marty Heem Cherry, who also appear on the project. During the Blood Feast Livestream, he and mentor Sir E.U started scrapping on the floor, mid-broadcast because E.U interrupted a moment of silence prompted by Nappa himself.  These instances of chaos, choreographed or not, do not cloud Nappa’s earnestness to deliver a trademark set.  “I was sent to earth on a mission, so like Moses or Martin, I’m not the most perfect person, far from it, and I may not make it to the Promised Land, but we should see to it that as many people/generations/babies [as possible] can make it,” he wrote over email.

Nappy Nappa on set, Blood Feast Livestream

Nappy Nappa on set, Blood Feast Livestream

The project takes a funky turn with “MPH//Bend’n Forc’z,” which is sure to maximize Nappa’s energy on stage.  It’s reminiscent of Travis Scott’s “Goosebumps,” albeit way groovier and synthed out.

From the Kangol hats to the Nike Blazers, it feels like Nappy Nappa is an old head at heart.  He feels it, too, writing “#oldcity” in his SoundCloud bio in reference to the District as a once “Chocolate City,” and he signs off his tape with the bars “Southeast, South, Southeast” in an ode to Boogie Down Productions’ 1987 classic, “South Bronx.”

“I’m blessed to be from D.C.,” he says.  “I feel as though my energy/spirit to be aware, selfless and active comes from [D.C.], but it’s bigger than me and where I’m from.”

You can listen to Nappy Nappa’s “+RawDogRawLoveRawGod+ part 1: Ascenshun” on all streaming platforms now.

Look out for Nappy Nappa in volume two of the ‘Sounds of D.C.’ playlist coming soon.

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