Located at The Shay, a new, boutique condominium development in the Shaw neighborhood of Washington, D.C., embodying the hyper consumptive landscape that’s transforming the city into culturally divided spaces, Hedonist Buddhist subverts the gentrification process. The local community holds sentimental value to Orzal who’s grown up in D.C. and experienced the pressure of rising rent prices and removal of developmental ecosystems. As Martha’s Table, a prominent non-profit promoting access to high-quality education, healthy food, and family support moved further away from its 14th St. roots, it was Orzal who shared childhood photos of Barbara Bush doting on him and other pre-schoolers at the kiddy table. Decades later—now a bourgeoning printmaker—he frustratingly spoke to the Washington City Paper of losing his atelier, Open Studio D.C., to developers’ more commercial interests.
Collaborating with Washington Project for the Arts, Orzal is confronting such social dynamics in the heart of the battle being waged between the transplants and the natives. The exhibition space full of art and literature, amplifying political activism and awareness of civic manipulation, is directly below the resident who complained about the noise level of go-go music being played at the nearby Metro PCS store. Perhaps you’ve seen or participated in the public outcry of this intolerance through the massive #MOECHELLA/#DONTMUTEDC protests, trending on Instagram and Twitter.
Orzal has enlisted a number of compatriots to elevate his exhibition in the name of D.C.’s artistic heritage, and this weekend, Uptown Art House will offer an array of music performances that remain vigilant to the city’s underrepresented creative communities.
This Friday features sound selections by P0STB1NARY, a collective of DJ’s and vocalists spearheading the non-binary movement of gender and genre through heavy techno and house sets. If you haven’t caught them at Studio Ga Ga or The Line Hotel, this is the night to do so. InTheRough will also be present through an ethnographic lens, sharing Polaroids and music that inform the District’s contemporary cultural scene.
Saturday is a strong showing of the city’s esoteric rap community. In his latest project, Tribe Ties, Thraxx King harnesses a cadence and spiritual energy that resides in occultist teachings. Jamal Gray as Black Noise Filter—the eponymous name to a long-awaited sound collage—recontextualizes his family lineage of music and impact in Chocolate City, meditating on social and universal constructs. And Sir E.U, the great, with The First Church of Back, debuts a live rendition of his most recent collection of songs, REDHELLY/Twin Towers, complete with a post-grunge aesthetic. Let’s rage.