Choo Jackson - Choo, Where U Goin? (Album) / by Alex Young

 Choo Jackson photographed by  Kingy Kings

Choo Jackson photographed by Kingy Kings

Towards the top of 2016 InTheRough detailed some time spent with musician Choo Jackson. A written piece studied the rapper's past "Anime" mixtape, the first of three total projects he pushed this year. Text familiarized audiences of Choo and this publication with the spirit of his musicianship as well as music-making in Pittsburgh.

At the time in February, Choo was ahead of a productive year, trying to maintain a steadily growing fanbase and establish his sound. He indicated his fans would begin to hear clear differences in his songs. Choo wanted to experiment with "alternative," rock.

As the year progressed, the Foreverkool Records owner and Southern gentleman continued to make neo-hip-hop bangers like "Back From Texas" and "Myself." He pleased youthful listeners on his "Pray 4 The Best" extended play with producer Sledgren of Taylor Gang which they released in June. But, Choo's introspective vocals about his life qualities could also match a production influenced by rock bands of the 1990s and 2000s who he listened to as a kid.

The sonic transition was heard upon the release of his newest "Choo, Where U Goin?" album this December. Basically, the artist introduces a hopeful narrative that various people can relate to for its humanity and nostalgia. "Go to the light my nigga," he says in "Camo" over a plucking guitar. The evolution of Choo's music comes from childhood memories he told us over Snapchat.

Man I had a friend in Florida I used to skate with his name was Anthony. When I went to his crib he would only play his shit like Green Day, blink-182, and System Of A Down. Then I found N.E.R.D. on my own. So that’s how me and Brad kinda cliqued up musically because he’s into the same shit. It was only later that I started to like John Lennon, Jimi Hendrix, or even like Marvin Gay or Al Green. I want to be remembered like them too.
— Choo Jackson

On his third project this year, Choo finds frequent collaborators Bradley [Brad] Atom, Big Jerm of I.D. Labs, and Bounceman Christo helps cement the retro production for "C.W.U.G.?" Alternative sentiments are genuinely felt in the record's opening hook and "Feel This Way."

Though "Choo, Where U Goin?" explores another style of music, many parts of the work are dramatic and rhythmic thanks to Choo's cadence, like in "Make It Last" when he mutters "my neck, my wrist, my car, my kicks," talking fresh.

Overall, Choo Jackson's growth is made audible through each track he releases. He possesses the creativity to satisfy contemporary ears, and he gains respect for branching out to allow other genres to influence his music.